For me, I think there are tradeoffs that work, because I’m so used to watching movies and TV at 24 or 25fps (in PAL countries where the mains frequency is 50Hz and TV was interlaced at half the frequency).
Watching video or movies at higher framerates produces the well known “soap opera” effect, where things look too real and so seem cheap and not magical.
Also at 24fps, Hollywood movies, when panning, even using a Miller fluid head tripod mount will stutter, so your brain has to let go and accept the blurriness until things settle down again.
Hence the trade off for people who are willing to accept momentary blur or who learn to look ahead in turns or at the cockpit until things settle down. It’s something we have learned to do watching TV and movies. It also paradoxically can seem more real.